www.sax.fora.pl

CHESTER

Teddy Borgani mają dźwięk którego nigdy nie uzyskasz na Yanagisawie bo one są nudne pod względem barwy.

Teddy

Kupię tą pozłacaną, by się przekonać...
Ale zapewne masz rację.
Tylko, że ja szukam dźwięku w sobie, a nie poprzez zmianę instrumentów, podolepianie taśmą stroików, czy inne cuda.
Mnie i Borgani nie pomoże... tylko ćwiczenia...

CHESTER

bmvip

Teddy

Mojej nie oddam Smile

mirek

Masz rację Teddy.... niektóre irytujące wypowiedzi naszych kochanych forumowiczów powinno się a nawet trzeba ignorować. Ale jakież to urozmaicenie forum kiedy nagle Chester wpada i jednym zdaniem rozpie.... nasze mozolnie, w pocie czoła wypracowane filozoficzne wywody....hehe. To tak jakby nagle wpadł do naszego baru i powiedział przy kuflu piwa..... " aaaa h... tam wicie" albo " ja w niejedną rurę dmuchałem... i swoje wim, a wy wicie tyle co zjicie.. hehe". Można i tak. Po prostu Chester wpadł i pozamiatał. Chester myślę że chyba jeszcze duuużo wody upłynie w Wiśle, zanim zrozumiesz i nabierzesz szacunku do pewnych spraw. Z drugiej strony niektóre Twoje teksty są rewelacyjne a czasami po prostu ręce opadają. Ale ja zawsze będę w Ciebie wierzył bo widać, że masz ogromny potencjał...pamiętaj tylko, że zanim coś ocenisz, to oprócz słów lepszy czy gorszy jest jeszcze słowo... inny...

CHESTER

mirek

mirek

Teddy ciekawe doświadczenia opisuje jeden z forumowiczów z sotw o 9937 czyli podobna rura do Twojej , może Cię to zainteresuje.....

I OWN a 9937 alto, and I find pretty much all the comments here to be fairly well off, with respect to my experience. To date, I have played 5 different A9937 horns, 3 T9937s an 1 B9937. I have also played 3 9930 sopranos.

First, let me say that because a horn is pricey or not has no bearing on my judgement as to the quality or desirability (sp?). Also, on alto, I play a high baffle Yani metal #9 mp with 2.5 or 3.0 Alexander Superials. I want a dynamic sound with some zing. I get it!

1. I have played just about every production alto that is currently being made, and I found that the Yani 9937 is the very best of the best. That may sound general, but that is what I mean. ALL AROUND great horn. It sings, it whispers, it peels paint. The mechanisms, the ergos, the aesthetics are all there. It is THE HORN, IMO.
The only thing I have played that I would say was better, was the Inderbinen alto- which was simply effortless to play and dynamic beyond anything I have ever played in my life. I sat down and played it for an hour and it felt like 10 minutes...truly a sublime experience. If a horn can be said to "play itself", then that horn surely qualified.

2. While I have also played all the other variations of the Yani's including those mentioned here, I found them all lacking the "zing" the 9937 has.

3. I too owned a Selmer Series III solid silver alto. It was indeed a bit darker sounding than the Yani. However, I wouldn't go so far to say it was a "classical" music horn, although it could be used in that genre, no doubt. No "zing" factor, that is for sure.

4. I had a one-off Keilwerth solid silver Shadow alto. I bought it from Mr. Keilwerth himself. Once again, a great player, but no where near the "zing" of the 9937. This horn could play both dark or bright...but had more of a presence than the Selmer III. Still, couldn't hold a candle to the Yani.

5. Despite what the materials-don't-matter nazis here may say, the materials DO matter. Silver clearly resonates differently from brass. I have had discussions with people in the saxophone production/manufacturing industry, bassoon production industry and flute production industry and they ALL say that the metals (or wood, as the case may be) and alloys used have a direct bearing on the response and tonal quality of a horn. One exec of a well known instrument manufacturer told me that metal used and the process of heating and cooling the metal used in the bocal was the secret of their bassoon. Of course he didn't tell me the secret process... lol.

6. My experiences with silver vs. anything else, have proven to me, over and over again, that silver is superior material for horns. I own two solid silver saxes now, the Yani A9937, a B&S Sterling Silver Medusa Special tenor, and a Silver sonic Super 20 tenor. I have found that a sterling silver neck can transform a brass horn too. I use solid silver necks on my Ref 54 tenor (a Series III SS neck), and my Model 6 alto (a Goodson SS neck or a Series III SS neck). When I can afford one, I will definitely get a Yani 9930 one-piece sterling soprano.

Żubr